On the moving, guitar-driven Keep Holding On, they rap about people not losing faith in their lives, while on the stirring old girlshining star, T3 and Elzhi send a open letter of hope and support to single mothers working hard to survive. Even though Slum Village excels at making this type of lighthearted music, they show on Detroit Deli that they also hit hard with more serious subject matter. They then team with Ol Dirty Bastard on the riotous Dirty about having to battle for a woman and deliver a Players Hand Guide of sorts on the sensuous Count The Ways, Both produced by B.R. Slum Village represents the Midwests funk heritage on the inspirational Do You, which was produced by Jay Dee, and teams with Chicagos Kanye West on lead single Selfish, a sly, piano-driven song where T3, Elzhi and West rap about their desire to have a monopoly with women. Throughout the sensational 15-cut collection, T3 and Elzhi give listeners an intimate look at life in The D, from where they shop, hang with friends and eat to the type of cars they drive (check Zoom) and what clothes they wear. Throughout the changes, Slum Villages musical mission has remained constant: to deliver soul-stirring sonics that represent Detroit to the fullest. While Jay exudes diversity behind the boards, he and the rest of his Slum Village mates are trivial MCs, slapping together a host of inept rhymes that are ripe with misogynistic overtones.Now, with the release of Slum Villages new album, the stunningly impressive Detroit Deli (BarakCapitol), the group consists of just T3 and Elzhi. 2.10 is more of an enigma than it is a triumph. Yet even with all of Jay's wonderfully melodious production, Fantastic, Vol. 2.10, Jay consistently demonstrates what all the fuss is about, as his hypnotic instrumentals range from the straight soul of "Tell Me" (featuring D'Angelo) to the sublime keyboard grooves of "Fall N Love" and the quirky "Hold Tight" (which features a pouty Q-Tip). Due to his work with A Tribe Called Quest, Common, Macy Gray, and a solo Q-Tip, Jay's stock rose considerably, and he became one of this industry's most sought-after beat technicians. Even though Fan-Tas-Tic was given the seal of approval by those highly influential artists, the man most responsible for this LP's resurrection was group member Jay Dee. 1) by the Roots and D'Angelo paved the way for it to become one of the most heavily bootlegged albums in recent years. The trio of Detroit natives witnessed a renaissance for the album in underground hip-hop circles, as critical praise of the LP ( Fan-Tas-Tic, Vol. After being released by their previous label, the debut from Slum Village ( Jay Dee, T3, and Baatin) had been collecting dust for over a year.
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